Traditional values and Tetekon: Creativity and innovation in Padalangan of Sundanese Wayang Golek Purwa
Abstract
Wayang golek purwa is one of the traditional art performances of the Sundanese community that has a standardized structure and tetekon in its performance. However, along with the times that affect the way of thinking of the performers of wayang golek purwa art, there are changes in function and structure that affect the tetekon of the previous wayang golek purwa performance. The purpose of this study is to examine the changes in the value of tetekon in the art of wayang golek purwa related to the development of creativity and innovation from the young generation of puppeteers. This research uses descriptive qualitative method through observation, audio-visual analysis of wayang golek performances, and literature study on Wayang Golek Purwa puppetry. Based on these methods, it was found that there is a paradoxical phenomenon in Wayang Golek art: on the one hand, creativity plays an important role in maintaining the existence of Wayang Golek art, but on the other hand, it is often considered to violate tetekon or traditional rules. Tetekon needs to be interpreted not only as a standard rule, but as a principle that can provide space for creativity and innovation to maintain the relevance of Wayang Golek art.
References
Agisfi, M. M., & Rabbil, R. (2023). Analisis Pertunjukan Wayang Golek Yang Ada Di Jawa Barat ( Kajian Seni Pertunjukan ). SABDA Jurnal Sastra Dan Bahasa, 2(1), 80–84. https://doi.org/10.572349/sabda.v2i1.562
Akbar, W., Bagaskara, A., Ayu, ;, & Machfauzia, N. (2023). The Dynamics of Sundanese Music: Wayang Golek Performance Strategies in Maintaining the Purity of Lagu Gede. International Journal of Multicultural and
Multireligious Understanding, 10(7), 372–384. https://doi.org/http://dx.doi.org/10.18415/ijmmu.v10i7.4988
Andrew Noah Weintraub. (2004). Power Plays Wayang Golek Puppet Theater of West Java. Ohio University Press.
https://www.google.co.id/books/edition/Power_Plays/5EIb_YWd_UIC?hl=id&gbpv=0
Apriansah, N. (2024). Konsep Pindah Pasieupan Dalam Kakawen Wayang Golek Purwa Sunda. Institut Seni Indonesia Surakarta.
Arthur S. Nalan. (2015). Asep Sunandar Sunarya : dalang wayang golek intelek. Media dan Gang Pandai Press.
https://opac.perpusnas.go.id/DetailOpac.aspx?id=1063097
Asep Wadi. (2021). Banyol in Panakawan Wayang Golek Style Karawang. Jurnal Sekolah Dasar, 6(2), 122–133.
https://doi.org/10.36805/jurnalsekolahdasar.v6i2.1914
Atiek Soepandi, Enip Sukanda, U. K. (1998). Ragam Cipta: Mengenal Seni Pertunjukan Daerah Jawa Barat.
Beringin Sakti, 1988.
Atiek Soepandi. (1984). Pagelaran Wayang Golek Purwa Gaya Priangan. Bandung : Pustaka Buana, 1984.
Atik Soepandi. (1978). Pengetahuan Padalangan Jawa Barat. Lembaga Kesenian Jawa Barat, 1978.
Atik Soepandi. (1998). Tetekon Padalangan Sunda. Balai Pustaka, 1998.
Bowen, Glenn, A. (2009). Document Analysis as a Qualitative Research Method. Qualitative Research Journal, 9(2),
27–40.
Cahya. (2017). Nilai, Makna, dan Simbol dalam Pertunjukan Wayang Golek sebagai Representasi Media
Pendidikan Budi Pekerti. Panggung, 26(2), 117–127. https://doi.org/10.26742/panggung.v26i2.170
Cahya Cahya, Timbul Haryono, S. S. (2012). Konsep “ Nyari ” dalam Ranah Estetika Pertunjukan Wayang Golek. Jurnal Isbi Panggung, >Vol 22, N(Wayang Golek), 25.
https://doi.org/http://dx.doi.org/10.26742/panggung.v22i4.67
Fauzi, R. P. and, & Bahari, N. (2023). Wayang Golek Performance as One of The Varieties of Puppetry Arts Found
on The Island of Java. Runtas Journal Arts and Culture, 1(03), 64–78. https://doi.org/10.33153/runtas.v1i1.5103
Fauziah, F., Cahya, C., & K.L., N. Y. (2021). Perubahan Fungsi Pertunjukan Wayang Golek Purwa Dari Sakral Ke
Profan Pada Syukur Laut Pamayangsari. Jurnal Budaya Etnika, 5(1), 35. https://doi.org/10.26742/be.v5i1.1591
Febrianti, S. N., & Fauzi, A. R. (2023). Makna Simbolik Seni Wayang Golek ( Studi Kasus : Kecamatan Sukadana
Kabupaten Ciamis Jawa Barat ). Jurnal Rupa, 08(2). https://doi.org/https://doi.org/10.25124/rupa.v8i2.6810 Makna
Foley, K. (2001). The Origin of Kala: A Sundanese Wayang Golek Purwa Playby Abah Sunarya and Gamelan Giri
Harja I. Asian Theatre Journal, 18(1), 1–58. https://doi.org/10.1353/atj.2001.0002
Foley, K. (2020). Cross cultural research : experiences in sundanese wayang golek of West Java. Móin-Móin, 2(16),
150–157. https://doi.org/https://doi.org/10.5965/2595034702162016150
Iwan Natapraja. (2003). Sekar Gending: Catatan Pribadi Tentang Karawitan Sunda. Karya Cipta Lestari, 2003.
M. A Salmun. (1949). Padalangan Di Pasoendan. Djakarta Bale Poestaka 1949.
M. A Salmun. (1961). Padalangan. Balai Pustaka, 1961.
M. A Salmun. (1986a). Padalangan Vol 1. Departemen Pendidikan dan Kebudayaan, Proyek Penerbitan Buku
Sastra Indonesia dan Daerah, 1986.
M. A Salmun. (1986b). Padalangan Vol 2. Departemen Pendidikan dan Kebudayaan, Proyek Penerbitan Buku
Sastra Indonesia dan Daerah, 1986.
Marsel Ridky Maulana, I. G. (2024). The Role of Sekar Gending “Kawitan” in Wayang Golek Purwa Performance.
Virtuoso Jurnal Pengkajian Dan Penciptaan Musik, 7(1), 77–90. https://doi.org/10.26740/vt.v1n1.p77-90
Marsel Ridky Maulana, R. D. (2025). Revisiting the Theory of Patet in Sundanese Karawitan: Between Academic
Theory and Artistic Practice. Gelar : Jurnal Seni Budaya, 23(2), 1–21. https://doi.org/10.33153/glr.v23i2.7806
Marsel Ridky Maulana, U. K. (2025). Karawitan Analytical Study: Sekar-Gending “Sungsang” as the Jejer Ngawitan
in Sundanese Wayang Golek Purwa Performances. Dewa Ruci: Jurnal Pengkajian Dan Penciptaan Seni, 20(22),
203–219. https://doi.org/10.33153/dewaruci.v20i2.7339
Maulana, M. R. (2025a). Ambivalence and Symbolic Dualism in the Character of Kumbakarna in the Wayang Golek
Lakon “ Kumbakarna Gugur ”: A Narrative Analysis. WACANA: Jurnal Bahasa, Seni, Dan Pengajaran, 9(1), 1–13.
https://doi.org/https://doi.org/10.29407/jbsp.v9i1.1
Maulana, M. R. (2025b). Twelve Aspects Of Pakem Padalangan Wayang Golek Purwa Sunda : Conceptual
Foundations According To Mas Atje Salmoen. Jurnal Damar Pedalangan, 5(2), 77–89.
https://doi.org/10.59997/dmr.v 5i2.5634
Maulana, M. R., Karyono, T., & Sunaryo, A. (2024). The Influence of Technology in Wayang Golek Purwa
Performances : Combining Tradition and Innovation. Virtuoso Jurnal Pengkajian Dan Penciptaan Musik, 7 No. 2(2),
199–212. https://doi.org/10.26740/vt.v7n2.p199-212 The
Maulana, M. R., & Sembiring, P. (2025). Study Of The Function And Meaning of Ruwatan Murwakala : The Value Of
Tradition In Sundanese Wayang Golek. PARADIGMA Journal of Science, Religion and Culture Studies, 22(01), 241–261. https://doi.org/10.33558/paradigma.v22i1.10628
Maulana, M. R., Sukmayadi, Y., Sunaryo, A., & Tresnadi, S. (2025). Digitalizing Gamelan Degung : An Android-
Based Application to Enhance Musicianship in Higher Education. Promusika: Jurnal Pengkajian, Penyajian Dan Penciptaan Musik, 13(1), 58–70. https://doi.org/10.24821/promusika.v13i1.15712
Maulana, M. R., Sutisna, D. P., Saputra, R. A., Education, M. A., Education, D., & Indonesia, E. (2025). Dalang And Sinden As A Form Of “ Loro-Loro Ning Tunggal” In Wayang Golek Purwa. Jurnal Pendidikan Dan Kajian Seni, 10(1), 1–18. https://doi.org/10.30870/jpks.v10i1.30660
Maulana, M. R., Tresnadi, S., Narawati, T., Budiman, A., & Suwandi, M. (2025). The Gending “ Gorompol ” in the Sundanese Wayang Golek Purwa Performance : Analysis of Structure and Function. Virtuoso Jurnal Pengkajian Dan Penciptaan Musik, 8(1), 87–104. https://doi.org/10.26740/vt.v8n1.p87-104
Muflihatul Salma, N. A., & Tarpin, T. (2020). Pelestarian Wayang Golek di Padepokan Giri Harja Jelekong Kabupaten Bandung Jawa Barat 2009-2018. Historia Madania: Jurnal Ilmu Sejarah, 3(2), 201–213. https://doi.org/10.15575/hm.v3i2.9176
Muhammad, G. (2024). Den Kisot: A Puppet Theater Adaptation of Miguel de Cervantes’ Don Quixote de la
Mancha. https://www.ubudwritersfestival.com/programs/den-kisot-a-puppet-theater-adaptation-of-miguel-de-cervantes-don-quixote-de-la-mancha
Munandar, U. (2009). Pengembangan kreativitas anak berbakat (3rd ed.). Jakarta : Rineka Cipta, 2014. https://inlislite.uin-suska.ac.id/opac/detail-opac?id=22516
Nalan, A. S. (2012). Komunikasi Dalang Dalam Konsep Mandala Wiwaha Asep Sunandar Sunarya. Panggung,
22(3), 293–305. https://doi.org/10.26742/panggung.v22i3.78
Nasution, A. H., & Kartajaya, H. (2018). Inovasi - Arman Hakim Nasution, Hermawan Kartajaya (L. Zafriana (ed.)).
Penerbit Andi. https://www.google.co.id/books/edition/Inovasi/Q_BuDwAAQBAJ?hl=id&gbpv=0&kptab=overview
Ningsih, R. Y. P. (2023). Kanca Panglima dan Budaya Digital: Pengaruh Perubahan Wayang Catur Auditif Menjadi
Wayang Catur Audio Visual. PARAGUNA: Jurnal Ilmu Pengetahuan, Pemikiran, Dan Kajian Tentang Seni Karawitan, 9(2), 75. https://doi.org/10.26742/paraguna.v9i2.2297
Ratnaningtyas, E. (2022). Metodologi Penelitian Kualitatif. In Rake Sarasin (Issue Maret). PT. Global Eksekutif Teknologi.
Richard Luecke. (2003). Harvard Business Essentials: Managing Creativity and Innovation (R. Katz (ed.); Berilustra). Harvard Business Press, 2003. https://books.google.lt/books?
hl=lt&lr=&id=IMDvP5NtITYC&oi=fnd&pg=PR1&dq=entertainment+improves+enhances+creativity+and+Innovatio
n&ots=enwHmwvByZ&sig=BXcEcMoOEEadIYxOE0tsCB_ZIEU&redir_esc=y#v=onepage&q&f=false
Rukiah, Y. (2015). Makna Warna Pada Wajah Wayang Golek. Jurnal Desain, 2(03), 183–194.
https://journal.lppmunindra.ac.id/index.php/Jurnal_Desain/article/view/583
Semiawan, P. D. C. R. (2009). Dimensi kreatif dalam filsafat ilmu (cetakan 8). Bandung : Remaja Rosdakarya, 2010. https://onesearch.id/Record/IOS2862.UNMAL000000000012001
Shaleh, A. rahman, & Wahab, M. abdul. (2008). Psikologi Suatu Pengantar dalam Perspektif Islam. Jakarta :
Kencana,. https://inlislite.uin-suska.ac.id/opac/detail-opac?id=817
Soetarno, & Sudarko. (2007). Sejarah pedalangan. Kerja sama Institut Seni Indonesia (ISI) Surakarta dan CV.
Cendrawasih, 2007. https://books.google.co.id/books?
id=AZYLAQAAMAAJ&newbks=0&printsec=frontcover&dq=diktat+padalangan+wayang+golek+purwa&q=diktat+pa
dalangan+wayang+golek+purwa&hl=id&source=newbks_fb&redir_esc=y
Sopandi, C. (2015). Gamelan Selap pada Wayang Golek Sunda. Jurnal Paraguna, 2(1), 26–40.
https://doi.org/https://doi.org/10.26742/jp.v2i1.1860
Subandi. (2011). Deskriptif Kualitatif sebagai Salah Satu Metode Penelitian Pertunjukan. Harmonia: Journal of
Arts Research and Education, 11(2), 173–179. https://doi.org/10.15294/harmonia.v11i2.2210
Sudarsono, T. (2022). Pasinden : Awal Kehadirannya Dalam Pertunjukan Wayang Golek. PARAGUNA: Jurnal Ilmu
Pengetahuan, Pemikiran, Dan Kajian Tentang Seni Karawitan, 5(1), 32–47. https://doi.org/10.26742/jp.v5i1.1877
Wangsadiredja, P. F., Wibowo, D. P., & Yuliani, M. (2023). Pelestarian Seni Budaya Wayang Golek Sebagai
Implementasi Sila Ke-2 Pancasila. Jurnal Review Pendidikan Dan Pengajaran, 6(4), 471–481.
Weintraub, A. (1997). Constructing the popular: Superstars, performance, and cultural authority in Sundanese
wayang golek purwa of West Java, Indonesia. Universty of California.
Weintraub, A. N. (2001). Instruments of Power: Sundanese “Multi-Laras” Gamelan in New Order Indonesia.
Ethnomusicology, 45(2), 197. https://doi.org/10.2307/852673
Yahya, P. W. (2007). Ruwatan dan Pandangan Dunia yang Melatarbelakanginya. Veritas: Jurnal Teologi Dan Pelayanan, 8(1), 25–48. https://doi.org/10.36421/veritas.v8i1.173
Yoyo Risyaman Wiranata. (1981). Tuntunan Praktek Pedalangan Wayang Golek Purwa Gaya Sunda. Lembaga Kesenian Bandung, 1981.
Akbar, W., Bagaskara, A., Ayu, ;, & Machfauzia, N. (2023). The Dynamics of Sundanese Music: Wayang Golek Performance Strategies in Maintaining the Purity of Lagu Gede. International Journal of Multicultural and
Multireligious Understanding, 10(7), 372–384. https://doi.org/http://dx.doi.org/10.18415/ijmmu.v10i7.4988
Andrew Noah Weintraub. (2004). Power Plays Wayang Golek Puppet Theater of West Java. Ohio University Press.
https://www.google.co.id/books/edition/Power_Plays/5EIb_YWd_UIC?hl=id&gbpv=0
Apriansah, N. (2024). Konsep Pindah Pasieupan Dalam Kakawen Wayang Golek Purwa Sunda. Institut Seni Indonesia Surakarta.
Arthur S. Nalan. (2015). Asep Sunandar Sunarya : dalang wayang golek intelek. Media dan Gang Pandai Press.
https://opac.perpusnas.go.id/DetailOpac.aspx?id=1063097
Asep Wadi. (2021). Banyol in Panakawan Wayang Golek Style Karawang. Jurnal Sekolah Dasar, 6(2), 122–133.
https://doi.org/10.36805/jurnalsekolahdasar.v6i2.1914
Atiek Soepandi, Enip Sukanda, U. K. (1998). Ragam Cipta: Mengenal Seni Pertunjukan Daerah Jawa Barat.
Beringin Sakti, 1988.
Atiek Soepandi. (1984). Pagelaran Wayang Golek Purwa Gaya Priangan. Bandung : Pustaka Buana, 1984.
Atik Soepandi. (1978). Pengetahuan Padalangan Jawa Barat. Lembaga Kesenian Jawa Barat, 1978.
Atik Soepandi. (1998). Tetekon Padalangan Sunda. Balai Pustaka, 1998.
Bowen, Glenn, A. (2009). Document Analysis as a Qualitative Research Method. Qualitative Research Journal, 9(2),
27–40.
Cahya. (2017). Nilai, Makna, dan Simbol dalam Pertunjukan Wayang Golek sebagai Representasi Media
Pendidikan Budi Pekerti. Panggung, 26(2), 117–127. https://doi.org/10.26742/panggung.v26i2.170
Cahya Cahya, Timbul Haryono, S. S. (2012). Konsep “ Nyari ” dalam Ranah Estetika Pertunjukan Wayang Golek. Jurnal Isbi Panggung, >Vol 22, N(Wayang Golek), 25.
https://doi.org/http://dx.doi.org/10.26742/panggung.v22i4.67
Fauzi, R. P. and, & Bahari, N. (2023). Wayang Golek Performance as One of The Varieties of Puppetry Arts Found
on The Island of Java. Runtas Journal Arts and Culture, 1(03), 64–78. https://doi.org/10.33153/runtas.v1i1.5103
Fauziah, F., Cahya, C., & K.L., N. Y. (2021). Perubahan Fungsi Pertunjukan Wayang Golek Purwa Dari Sakral Ke
Profan Pada Syukur Laut Pamayangsari. Jurnal Budaya Etnika, 5(1), 35. https://doi.org/10.26742/be.v5i1.1591
Febrianti, S. N., & Fauzi, A. R. (2023). Makna Simbolik Seni Wayang Golek ( Studi Kasus : Kecamatan Sukadana
Kabupaten Ciamis Jawa Barat ). Jurnal Rupa, 08(2). https://doi.org/https://doi.org/10.25124/rupa.v8i2.6810 Makna
Foley, K. (2001). The Origin of Kala: A Sundanese Wayang Golek Purwa Playby Abah Sunarya and Gamelan Giri
Harja I. Asian Theatre Journal, 18(1), 1–58. https://doi.org/10.1353/atj.2001.0002
Foley, K. (2020). Cross cultural research : experiences in sundanese wayang golek of West Java. Móin-Móin, 2(16),
150–157. https://doi.org/https://doi.org/10.5965/2595034702162016150
Iwan Natapraja. (2003). Sekar Gending: Catatan Pribadi Tentang Karawitan Sunda. Karya Cipta Lestari, 2003.
M. A Salmun. (1949). Padalangan Di Pasoendan. Djakarta Bale Poestaka 1949.
M. A Salmun. (1961). Padalangan. Balai Pustaka, 1961.
M. A Salmun. (1986a). Padalangan Vol 1. Departemen Pendidikan dan Kebudayaan, Proyek Penerbitan Buku
Sastra Indonesia dan Daerah, 1986.
M. A Salmun. (1986b). Padalangan Vol 2. Departemen Pendidikan dan Kebudayaan, Proyek Penerbitan Buku
Sastra Indonesia dan Daerah, 1986.
Marsel Ridky Maulana, I. G. (2024). The Role of Sekar Gending “Kawitan” in Wayang Golek Purwa Performance.
Virtuoso Jurnal Pengkajian Dan Penciptaan Musik, 7(1), 77–90. https://doi.org/10.26740/vt.v1n1.p77-90
Marsel Ridky Maulana, R. D. (2025). Revisiting the Theory of Patet in Sundanese Karawitan: Between Academic
Theory and Artistic Practice. Gelar : Jurnal Seni Budaya, 23(2), 1–21. https://doi.org/10.33153/glr.v23i2.7806
Marsel Ridky Maulana, U. K. (2025). Karawitan Analytical Study: Sekar-Gending “Sungsang” as the Jejer Ngawitan
in Sundanese Wayang Golek Purwa Performances. Dewa Ruci: Jurnal Pengkajian Dan Penciptaan Seni, 20(22),
203–219. https://doi.org/10.33153/dewaruci.v20i2.7339
Maulana, M. R. (2025a). Ambivalence and Symbolic Dualism in the Character of Kumbakarna in the Wayang Golek
Lakon “ Kumbakarna Gugur ”: A Narrative Analysis. WACANA: Jurnal Bahasa, Seni, Dan Pengajaran, 9(1), 1–13.
https://doi.org/https://doi.org/10.29407/jbsp.v9i1.1
Maulana, M. R. (2025b). Twelve Aspects Of Pakem Padalangan Wayang Golek Purwa Sunda : Conceptual
Foundations According To Mas Atje Salmoen. Jurnal Damar Pedalangan, 5(2), 77–89.
https://doi.org/10.59997/dmr.v 5i2.5634
Maulana, M. R., Karyono, T., & Sunaryo, A. (2024). The Influence of Technology in Wayang Golek Purwa
Performances : Combining Tradition and Innovation. Virtuoso Jurnal Pengkajian Dan Penciptaan Musik, 7 No. 2(2),
199–212. https://doi.org/10.26740/vt.v7n2.p199-212 The
Maulana, M. R., & Sembiring, P. (2025). Study Of The Function And Meaning of Ruwatan Murwakala : The Value Of
Tradition In Sundanese Wayang Golek. PARADIGMA Journal of Science, Religion and Culture Studies, 22(01), 241–261. https://doi.org/10.33558/paradigma.v22i1.10628
Maulana, M. R., Sukmayadi, Y., Sunaryo, A., & Tresnadi, S. (2025). Digitalizing Gamelan Degung : An Android-
Based Application to Enhance Musicianship in Higher Education. Promusika: Jurnal Pengkajian, Penyajian Dan Penciptaan Musik, 13(1), 58–70. https://doi.org/10.24821/promusika.v13i1.15712
Maulana, M. R., Sutisna, D. P., Saputra, R. A., Education, M. A., Education, D., & Indonesia, E. (2025). Dalang And Sinden As A Form Of “ Loro-Loro Ning Tunggal” In Wayang Golek Purwa. Jurnal Pendidikan Dan Kajian Seni, 10(1), 1–18. https://doi.org/10.30870/jpks.v10i1.30660
Maulana, M. R., Tresnadi, S., Narawati, T., Budiman, A., & Suwandi, M. (2025). The Gending “ Gorompol ” in the Sundanese Wayang Golek Purwa Performance : Analysis of Structure and Function. Virtuoso Jurnal Pengkajian Dan Penciptaan Musik, 8(1), 87–104. https://doi.org/10.26740/vt.v8n1.p87-104
Muflihatul Salma, N. A., & Tarpin, T. (2020). Pelestarian Wayang Golek di Padepokan Giri Harja Jelekong Kabupaten Bandung Jawa Barat 2009-2018. Historia Madania: Jurnal Ilmu Sejarah, 3(2), 201–213. https://doi.org/10.15575/hm.v3i2.9176
Muhammad, G. (2024). Den Kisot: A Puppet Theater Adaptation of Miguel de Cervantes’ Don Quixote de la
Mancha. https://www.ubudwritersfestival.com/programs/den-kisot-a-puppet-theater-adaptation-of-miguel-de-cervantes-don-quixote-de-la-mancha
Munandar, U. (2009). Pengembangan kreativitas anak berbakat (3rd ed.). Jakarta : Rineka Cipta, 2014. https://inlislite.uin-suska.ac.id/opac/detail-opac?id=22516
Nalan, A. S. (2012). Komunikasi Dalang Dalam Konsep Mandala Wiwaha Asep Sunandar Sunarya. Panggung,
22(3), 293–305. https://doi.org/10.26742/panggung.v22i3.78
Nasution, A. H., & Kartajaya, H. (2018). Inovasi - Arman Hakim Nasution, Hermawan Kartajaya (L. Zafriana (ed.)).
Penerbit Andi. https://www.google.co.id/books/edition/Inovasi/Q_BuDwAAQBAJ?hl=id&gbpv=0&kptab=overview
Ningsih, R. Y. P. (2023). Kanca Panglima dan Budaya Digital: Pengaruh Perubahan Wayang Catur Auditif Menjadi
Wayang Catur Audio Visual. PARAGUNA: Jurnal Ilmu Pengetahuan, Pemikiran, Dan Kajian Tentang Seni Karawitan, 9(2), 75. https://doi.org/10.26742/paraguna.v9i2.2297
Ratnaningtyas, E. (2022). Metodologi Penelitian Kualitatif. In Rake Sarasin (Issue Maret). PT. Global Eksekutif Teknologi.
Richard Luecke. (2003). Harvard Business Essentials: Managing Creativity and Innovation (R. Katz (ed.); Berilustra). Harvard Business Press, 2003. https://books.google.lt/books?
hl=lt&lr=&id=IMDvP5NtITYC&oi=fnd&pg=PR1&dq=entertainment+improves+enhances+creativity+and+Innovatio
n&ots=enwHmwvByZ&sig=BXcEcMoOEEadIYxOE0tsCB_ZIEU&redir_esc=y#v=onepage&q&f=false
Rukiah, Y. (2015). Makna Warna Pada Wajah Wayang Golek. Jurnal Desain, 2(03), 183–194.
https://journal.lppmunindra.ac.id/index.php/Jurnal_Desain/article/view/583
Semiawan, P. D. C. R. (2009). Dimensi kreatif dalam filsafat ilmu (cetakan 8). Bandung : Remaja Rosdakarya, 2010. https://onesearch.id/Record/IOS2862.UNMAL000000000012001
Shaleh, A. rahman, & Wahab, M. abdul. (2008). Psikologi Suatu Pengantar dalam Perspektif Islam. Jakarta :
Kencana,. https://inlislite.uin-suska.ac.id/opac/detail-opac?id=817
Soetarno, & Sudarko. (2007). Sejarah pedalangan. Kerja sama Institut Seni Indonesia (ISI) Surakarta dan CV.
Cendrawasih, 2007. https://books.google.co.id/books?
id=AZYLAQAAMAAJ&newbks=0&printsec=frontcover&dq=diktat+padalangan+wayang+golek+purwa&q=diktat+pa
dalangan+wayang+golek+purwa&hl=id&source=newbks_fb&redir_esc=y
Sopandi, C. (2015). Gamelan Selap pada Wayang Golek Sunda. Jurnal Paraguna, 2(1), 26–40.
https://doi.org/https://doi.org/10.26742/jp.v2i1.1860
Subandi. (2011). Deskriptif Kualitatif sebagai Salah Satu Metode Penelitian Pertunjukan. Harmonia: Journal of
Arts Research and Education, 11(2), 173–179. https://doi.org/10.15294/harmonia.v11i2.2210
Sudarsono, T. (2022). Pasinden : Awal Kehadirannya Dalam Pertunjukan Wayang Golek. PARAGUNA: Jurnal Ilmu
Pengetahuan, Pemikiran, Dan Kajian Tentang Seni Karawitan, 5(1), 32–47. https://doi.org/10.26742/jp.v5i1.1877
Wangsadiredja, P. F., Wibowo, D. P., & Yuliani, M. (2023). Pelestarian Seni Budaya Wayang Golek Sebagai
Implementasi Sila Ke-2 Pancasila. Jurnal Review Pendidikan Dan Pengajaran, 6(4), 471–481.
Weintraub, A. (1997). Constructing the popular: Superstars, performance, and cultural authority in Sundanese
wayang golek purwa of West Java, Indonesia. Universty of California.
Weintraub, A. N. (2001). Instruments of Power: Sundanese “Multi-Laras” Gamelan in New Order Indonesia.
Ethnomusicology, 45(2), 197. https://doi.org/10.2307/852673
Yahya, P. W. (2007). Ruwatan dan Pandangan Dunia yang Melatarbelakanginya. Veritas: Jurnal Teologi Dan Pelayanan, 8(1), 25–48. https://doi.org/10.36421/veritas.v8i1.173
Yoyo Risyaman Wiranata. (1981). Tuntunan Praktek Pedalangan Wayang Golek Purwa Gaya Sunda. Lembaga Kesenian Bandung, 1981.
Published
2026-01-06
How to Cite
MAULANA, Marsel Ridky; SEMBIRING, Piter.
Traditional values and Tetekon: Creativity and innovation in Padalangan of Sundanese Wayang Golek Purwa.
Jurnal Kajian Sosial dan Budaya: Tebar Science, [S.l.], v. 10, n. 1, p. 15-31, jan. 2026.
ISSN 2597-4114.
Available at: <http://ejournal.tebarscience.com/index.php/JKSB/article/view/234>. Date accessed: 21 jan. 2026.
doi: https://doi.org/10.36653/jksb.v10i1.234.
Section
Artikel Vol 10 No. 1 Januari-April 2026
